Copyright 2008 Lusty Library. All Rights Reserved http://www.lustylibrary.com en-us Thu, 28 Aug 2008 00:07:48 -0400 webmaster@lustylibrary.com (TheLustyLibrarian) For Writers:For Writers http://www.lustylibrary.com/Stories/For_Writers/For_Writers/End-Goal-is-Writing_3182 For Writers:For Writers Wed, 13 Dec 2006 17:02:55 -0500
Most all erotic stories are some variation of "he and/or she stuck/enveloped it in/around her and/or him, and she and/or he moaned in pleasure." Whether or not you can write a story worth posting depends on your imagination in finding new "hooks" (the unusual/unique concept that make your story interesting in relationship to what's generally available) and twists (surprises that arrest the reader's attention) and interesting and arousing circumstances and locations. For an erotic story, it also helps if you can write it in a way that gets the reader at least aroused sexually, and ideally very wet—and, best of all, motivated to get up from the computer and go stick/envelop it in/around her and/or him until she and/or he moans in pleasure (and then stick/envelop it in/around him and/or her again).In experimenting with writing, devise in your mind some sense of plot—where the story came from (without getting bogged down in background) and where it's going and what it's going to do while it's getting there. Also think of the hooks and twists that are going to make it worthwhile writing. Then, put yourself in the place of one of the characters and tap it out on your computer. You can always go back and change and polish after you get something down—you also likely will come up with new, better twists and hooks while you write.Do you just walk up to a stranger—or have a stranger walk up to you—and say "Let's fuck," and that's how it starts? Never, ...

Get The Full Story At Lusty Library]]> http://www.lustylibrary.com/Stories/For_Writers/For_Writers/How-to-Build-Tension-in-Your-Erotic-Fiction-Story_747 For Writers:For Writers Wed, 11 Jan 2006 10:49:04 -0500

The existence of tension, or conflict, is an essential element in any fiction story simply because a little bit of nervous anxiety, apprehension, strain, or stress is what makes a story compelling to read. Tension is what keeps your readers turning the pages and wanting more.

However, short stories consist of a lot less writing than longer works of fiction, and they also cover a much smaller time span. In general, they get off to a fast start, beginning as close to the conclusion as possible, and they usually only deal with one, or few, problems. They have only a limited number of characters, and include only the most necessary details for understanding. So then you may wonder, how am I supposed to build tension in a short story?

Well, any sort of conflict produces tension. This could be a conflict between two characters, an internal conflict a character is having, a conflict a character is having with a supernatural force or event, or a conflict with fate or destiny.

Because short stories are so limited as far as creating tension is concerned, a great way to begin your story is with conflict. If you start out with something unusual or unexpected, then tension is created immediately.

Another way to add tension to your story is to include an aura of mystery, or suggestion. By this I mean include only the necessary details. Do not give away the ending to your readers. Keep them guessing, at ...

Get The Full Story At Lusty Library]]> http://www.lustylibrary.com/Stories/For_Writers/For_Writers/How-to-Develop-Your-Characters-&-Other-Important-Components-of-Your-Story_742 For Writers:For Writers Mon, 09 Jan 2006 14:30:27 -0500
The single most important aspect of writing fiction is properly developing your characters. This is particularly important for longer works of fiction, such as novels; however, even in a short story character development is central, as it is through your characters’ thoughts, speech, and actions that your story is told. Your characters must be real to your readers; they must be believable. Without proper character development, no other element of your story will be able to come through, and even a very stimulating, engaging plot will be lost. What’s more, regardless of how stimulating your plot is, it is your characters that will stay with your audience even after they have finished reading your story.

Building your characters should go well beyond telling your readers what color hair they have, how nice and big their breasts are, or how hard their cock is, etc. Your readers should feel like the characters in your story can make their own judgments, form their own opinions, etc. They should believe that the characters in your story are really speaking to and interacting with each other. Your readers should feel like they know personally, or can relate to personally, all or one of your characters.

So, to begin, the first step in writing your story is simple cognition, basically the notion that a story exists somewhere in your mind. Then, you have to come up with a setting. The third step, when you fully form your characters, is the most important, and then ...

Get The Full Story At Lusty Library]]> http://www.lustylibrary.com/Stories/For_Writers/For_Writers/Transgender-Vs.-Transsexual_736 For Writers:For Writers Fri, 06 Jan 2006 09:11:05 -0500
Transgender

The word ‘transgender’ is an umbrella term used to describe anyone who feels that their anatomical sex does not match the socially constructed gender identity, role, or behavior of that sex. Thus, male-to-female transsexuals, female-to-male transsexuals, male and female cross dressers, drag kings, and drag queens can all be considered transgendered individuals. Also, because of stereotyping all transgender people are assumed to be gay or lesbian. However, people who consider themselves transgender can be and are gay, straight, lesbian, bi-sexual, or anything else one chooses to call him or herself for that matter. A person’s gender identity or expression does not have to match their sexual orientation.

In our society today gender is considered a binary, meaning there are only two: male or female. However, in reality the full range of human sexuality is much more complex, and there are an infinite number of possibilities for one to express both their gender and their anatomical sex, as sex too is not technically a simple binary. The range of intersexed individuals is just as complex and infinite as the range of gender identities and expressions. This essay is meant to help clarify all the different words and phrases people use to identify themselves, as well as to label others. However, it is important to keep in mind that even with a set of so-called definitions, it is really not possible, or fair, to assign everyone a label and fit them neatly into one category or the ...

Get The Full Story At Lusty Library]]> http://www.lustylibrary.com/Stories/For_Writers/For_Writers/The-Daddy-Twink-Affair_726 For Writers:For Writers Wed, 04 Jan 2006 10:47:12 -0500
Much like in real life, gay literature often focuses on the May/December relationships between men. Stories between older men, known as Daddies, and younger men, often referred to as twinks, usually follow a similar pattern. Characteristically, the older man will always take the more dominant role while the younger man will play the part of the submissive. These roles are very similar to those in the BDSM lifestyle. However, these parts take more of a romantic approach while never loosing touch of whose boss. If you choose to explore this relationship in your writings keep in mind that their roles are very clearly defined.

The Daddy is almost always the dominant force in the relationship, not necessarily aggressive, but the driving force of the pair. Usually, but not always, the quieter and more level headed of the pair. Physically the Daddy is the bigger of the two in stature and muscularity. A sophisticated, educated, worldly man with lots of experience and strong will. He is usually a man that is set on his ways and the story will revolve around the conquest of the twink and how the twink adapts to this world. He is a man that is established in his career, he is seen as a teacher/mentor both in and out of the bedroom.
Contrary to the Daddy, the twink is usually the secondary person in the relationship, and the one who reacts to the Daddy’s actions. Usually, but not always, the more expressive of the ...

Get The Full Story At Lusty Library]]> http://www.lustylibrary.com/Stories/For_Writers/For_Writers/Drawing-from-Personal-Experience_722 For Writers:For Writers Tue, 03 Jan 2006 09:14:05 -0500
Part of the fun of writing fiction is infusing your stories with personal detail. These could be minor things such as a name or a place that means something to you, or it could be the actual retelling of a personal experience. As a writer one of the best tools you have is personal experience because it enriches your story and adds believability for the reader. Many of my stories are filled with little sprinkles of private information that only make sense to me.

However, when writing a story full of personal experiences, especially the naughty kind, there are some guidelines and suggestion you should keep in mind when getting started:

· Change the names to protect the satisfied: We all have that one hot affair we’re dying to talk about and writing an erotic story is the perfect outlet for it. However keep in mind you’re writing something that a variety of people will see. Don’t give away details that can come back and haunt you later.
· Revenge is sweetest on paper: There’s no better way to get your frustration out on that former lover than to write about it. You can use this in a variety of ways. If he was a lousy lover turn that experience into a humor/satire story. If he broke your heart let your pain out in a gripping emotional story. If you were wronged/cheated then let others know your story, hopefully it will keep someone from making the ...

Get The Full Story At Lusty Library]]> http://www.lustylibrary.com/Stories/For_Writers/For_Writers/Erotica-Vs.-Porn_690 For Writers:For Writers Wed, 21 Dec 2005 16:10:50 -0500


What exactly is erotica? Can you define it? And how, if at all, is it any different than porn? Although there are many sides to this argument, and all with valid points, I find myself siding with the group who claims that there are in fact important differences. However, in order for you dear readers, to make up your own minds, I will attempt here to give a fair representation of all sides of the porn/erotica equation.

To begin with, let’s discuss the argument many people make, claiming that erotica and porn are in fact the same thing, as both clearly cater to one’s sexual being if you will, the sole purpose being to arouse. (However, as a quick aside, I’d like to just point out the fact that there are also people out there who believe the purpose of erotica is beyond arousal, believing it to have pure artistic merit with the true purpose of discussing in full the entire range of human sexuality. Erotica then, by this argument, is about celebrating the full breadth and depth of human sexuality, not to arouse, and given how complex human beings truly are, this, in an of itself, is nothing less than a remarkable feat. )

In addition, some argue that people only choose to use the two different words because they feel one, ‘erotica,’ makes them seem ‘classier,’ claiming that one’s word choice merely alludes to the social class they wish to be categorized into. Along ...

Get The Full Story At Lusty Library]]> http://www.lustylibrary.com/Stories/For_Writers/For_Writers/Erotic-Grammar_655 For Writers:For Writers Tue, 13 Dec 2005 09:03:45 -0500
Quick Rules and Guidelines when using Commas, Semicolons, and Colons:

1) When combining two complete sentences you have several options:
a) Sentence 1, (comma) conjunction + sentence 2.
I took one look at him, and I knew right then that I wanted him badly.

Conjunctions: and, or, but, nor, (sometimes) so

b) Sentence1; (semicolon) sentence 2.
I took one look at him; I knew right then that I wanted him badly.

2) When using nonrestrictive phrases, phrases that are not essential for the sentence to be complete (hint: that was just a nonrestrictive phrase), set them apart with commas.

The first time he touched me, his soft, warm hands working magic on my skin, I thought I would explode with desire if I did not have him.

4) When using small phrases that are essential to the sentence, do not use commas.

The girl with the gorgeous, wide-eyed smile has me thinking about her day and night.
Not: The girl, with the gorgeous, wide-eyed smile, has me thinking about her day and night.

5) When using an introductory phrase or clause at the beginning of a sentence, (hint: that was just an introductory phrase) set it apart with a comma. (hint: like I just did there)

Although it was dark and I couldn’t see how excited he was, I could feel his hardness pressed up against me.


Get The Full Story At Lusty Library]]> http://www.lustylibrary.com/Stories/For_Writers/For_Writers/Writing-Outside-Your-Box_582 For Writers:For Writers Tue, 22 Nov 2005 16:43:34 -0500
When a person becomes an erotic writer it can be hard to keep yourself from falling into a rut. Like a well-worn comfortable shoe, we become used to writing what we know and this can be the death knell for our creativity. The best way to avoid this pitfall is to force yourself to write outside of the box from time to time. What does it mean to compose outside of your erotic confines? Simply put, it is a way of saying you are stepping out of your creative comfort zone. It’s writing about something or from a point of view you would not normally. The following are a couple of tips that have helped me to expand my kinky horizons. I will first explain how to figure out what your box is and then provide you with two suggestions on how to escape the confines of your creative prison. To begin with, think about what your erotic writing box is. In other words, take a minute and look back over what you have been writing. You’ll want to look for commonalities and patterns. After you have thought about it, ask yourself the following questions: What do you see? Are there a lot of lesbian, straight, or gay stories? Do you seem to have the same basic set up in your pieces? Is everyone in a relationship or are all of your characters having one-night stands? If you answered yes to any of the previous questions then you are ...

Get The Full Story At Lusty Library]]> http://www.lustylibrary.com/Stories/For_Writers/For_Writers/Essay-on-Erotic-Writing-by-D.-Lei-Graham_581 For Writers:For Writers Tue, 22 Nov 2005 16:23:29 -0500







The first thing that I am going to tell you is this: Be interested in what you are writing. If you aren't, then this will come across to your readers. If they are not interested, then you will get un-positive or zero feedback. Write about what you lust for, what you love and what you know… only if it interests you. Planning Some writers are lucky enough to be able to start and finish a story without planning, but it seriously helps. This way you know where you are heading with your eroticism and it doesn't get out of hand. Planning only takes a little effort and if you're serious about writing, then it won't take the fun away, i.e.: If your characters are gonna have a quickie in the bathroom of a posh hotel, the you have to know how the inside of you hotel looks, whether your characters decide to meet each other before or after dessert, and if there is foreplay going on during dinner. If you're certain, then your readers are going to have an easy transition between chapters, paragraphs and even sentences. Characters It helps to know every detail of your characters before you write. If there is even the tiniest nuance then your reader's are going to pick it up. You want their minds and loins burning up, not turning off. So if Sarah has a chest size of 32D, ...

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